Mysterious Files PH

Though [Ivan Miranda] calls the 3D printed vehicle in his recent video a motorbike, what he ultimately pulls out of his suitcase is clearly a scooter. Linguistic confusion aside, the “Mirandetta” looks like an awesome build and pulling a scooter out of your suitcase and whizzing past everyone in the taxi line just sounds amazing, especially knowing you made it yourself.

Aside from a whole lot of filament, he’s got a couple of tool batteries for hot-swappable energy that Airport security shouldn’t mind too much — provided you carry them with you, anyway — plus the usual e-bike motor and electronic speed control you might expect, and lawnmower tires which you might not. The narrow 3D printed rims round over the normally-flat tires to make them usable for this application. He seems particularly taken with the bi-stable mechanism he built for the kickstand, and we can’t blame him as we love seeing that kind of thing ourselves. The TPU seat is also a nice touch to keep with ‘everything printed’ vibe.

Now while the finished product does indeed fit into his suitcase, it needs to be completely disassembled. Well, unless you have an over-sized suitcase, perhaps. So our dreams of zooming away from the luggage line from the first paragraph were perhaps a bit premature. Still, from the footage at Prague Maker Faire at the end of the video, it looks like it was a fun enough ride that we can forgive [Ivan] for our overactive imaginations.

If you want an open-source e-bike, we’ve seen those too — but that won’t fit in any kind of suitcase.

Humans of all ages like music, but you can’t exactly pass a toddler the aux cable. That’s not to say the younger set don’t have their own particular tastes– they absolutely do, and they absolutely love to take control and inflict them on the rest of us. [nbr23] has a toddler who loves both music and tactile controls, and decided to combine the two for them with a project he calls Radio-Gaga, which is a gutted Panasonic radio that calls up tunes via Home Assistant.

Interestingly enough the radio is now just a remote control– the speaker has been removed along with the rest of the radio hardware. The buttons and dials are still there, though, letting the toddler control what tunes are on offer and at what volume via couple of potentiometers hooked to an ESP32. The sound itself is being served up from the homelab to a USB speaker. There’s one notable flaw with this architecture: if the batteries die on the remote, “Let it Go” does not until an adult intervenes manually or recharges the remote.

One interesting lesson [nbr23] wanted to share was that he was able to improve an unsatisfactorily slow startup time by assigning the device a static IP on his network– apparently the single longest step in getting the tunes going was negotiating a DHCP lease. Skipping that gets the tunes playing in under a second, which is fast enough even for the most impatient of tiny humans.

If you prefer a more self-contained device, we’ve seen toddler jukeboxes that keep storage and speaker built-in, many with NFC control. 

Modern cinema relies very heavily on quadrotor drones, because they make for very smooth, very easy to position platforms. From slow pans to chase shots, drones are great– if your shots can be taken at a high enough altitude. Close to the ground, things get a bit dodgier. That’s where [Transistor Man]’s camera chase vehicle comes in— it’s a rover, so it excels close to the ground. In fact, it can’t go anywhere else, except perhaps if provided with a jump. It’s got a hefty gimbal to hold the camera steady on any terrain, a decade-old surplus radio to provide full HD FPV to the remote driver, and a powerful 1/5th scale radio control rally chassis to make it all go. Plus googly eyes, because everything is better with googly eyes.

It looks like an enormous amount of fun to drive, but more importantly it provides smooth, cinematic shots from the professional Sony camera held in the gimbal. One big takeaway is that when 3D printing something that will bounce around this much, you can’t rely on pure strength– flexible filaments are your friend. Just about everything printed ended up remade in TPU if it didn’t start that way. The other takeaway is that we’ve reached enough of a technological plateau that if you scrounge around, you can build something to take a top-of-the-line footage with decade-old castoffs, like the gimbal and radio used in this project, which is a great thing for hobbyists and small studios.

If you can’t find surplus, you could always DIY a gimbal. We’re not filmmakers, but we find ourselves wondering how shots made with this rover would compare to a camera slider.

As far as things go that you are likely to find during a relaxing walk in the forest, Nintendo 64 game cartridges probably do not rank high on that list. Yet this is what happened to a friend of [BlueBox Tinkers] a few years back, leaving him dying to see whether the cartridge would still work, as well as what game it is since its labels got obliterated courtesy of its time spent enjoying the outdoors. Fortunately he recently got a chance to see whether he could revive this cartridge.

The insides look pretty much like what you’d expect after presumably months or years of exposure, with the metal shield severely corroded. The PCB does however look pretty decent still, with obvious signs of corrosion on the front-side vias, and a pretty gross-looking back side.

Unfortunately it wasn’t confirmed whether this friend tried to stick this old cartridge into an N64 console, but [BlueBox Tinkers] wasn’t going to take any such chances. First up was an inspection and deep cleaning of the PCB, showing that it had escaped real damage, with the shield having taken the brunt of the corrosion. Cleaning up the shield and the insides of the plastic shell is by far the hardest part, with the pitted metal and rust stuck on the plastic. For a full restoration you’d probably want to for a reproduction shell and shield here.

Ultimately the game turned out to still work, with the mystery game sadly fairly predictable, but with someone’s old save files still intact. Somehow it seems that what Nintendo did to make N64 cartridges dust- and child-resistant also makes it survive in the woods, so if you find one during a forest walk, it’s totally worth it to adopt it and take it home.

Between the speed and reliability of modern desktop 3D printers and the abundance of powerful single-board computers, there’s never been a better time to build a personal computing device that bucks traditional forms for something more bespoke. Whether you want to go all in on Gibsonian cyberdeck aesthetic or a distraction-free writing device to take notes on, there’s no shortage of examples out there that you can turn to for inspiration.

A recent entry into the field, the Don’t Panic Cyberdeck from [Paul Rickards], is a particularly approachable specimen for those looking to experiment with alternative computing experiences. While the final product certainly stands out among the throngs of nearly identical laptops, it doesn’t take a huge investment in time or money to put one of your own together.

Which is not to say the project is simplistic, exactly. Rather, as [Paul] released the design under the Creative Commons license and was kind enough to provide not only a detailed Bill of Materials but assembly instructions, the community is able to benefit from the sleepless nights he no doubt put into it.

In it’s baseline configuration, the Don’t Panic uses a Raspberry Pi 3A+, a Pimoroni HyperPixel 4.0 Square LCD (touch optional), and a Rii 518BT keyboard. Those core components would be enough to get you up and running, but if you want battery power you’ll also need to add a LX-2BUPS UPS board and a pair of 18650 cells. Audio might be nice as well, and for that [Paul] recommends a PAM8403 breakout board. He’s even got a printable volume knob that slips over the board’s potentiometer and peeks outside the case.

Of course, the best cyberdeck builds are customized to meet their owner’s specific needs, so your loadout doesn’t need to match [Paul]’s exactly. Except the handle, anyway. That feature is non-negotiable. Mainstream computers have far too few handles for our liking.

We cover so many projects here at Hackaday that lead the author down a rabbit hole of technological investigation that distracts us from the task of bringing them to you. Such a project is polyUAnalog, a very modern take on an analogue synthesizer. If you are imagining a synth of old with modules and patch cables, think again. The modern way to do this is it seems to use an individual synthesizer chip for each voice, resulting in a very versatile instrument indeed.

The integrated circuit in question is the AS3397, which when coupled on a PCB with a Raspberry Pi Pico makes for a self-contained single-voice analog synth. It’s controlled via I2C from a conductor board for which frustratingly the README doesn’t give a processor, but we think may be powered by another Pi Pico. This board does the job of taking MIDI and other controls, and farming them out tot he individual voices. The prototype has ten, but it can support many more.

It’s the work of a pair of researchers from the University of Angers in France, and we’re told it’s a side project from their work in the field of spectroscopy. There’s a video about it which we’ve placed below the break, and they’ve also written a paper about it.

This is one of those hacks that makes you stop in your tracks and say, “wait, you can do that!?” — before realizing, oh, yes, of course you can do that. With enough computational power, you can do a lot of things, and the Raspberry Pi 5 is a far cry from the single-board computer’s humble beginnings. In this case, the “you can do that!?” is both that [Oliver] was able to get the digital audio TOSLINK working via an LED tied to one GPIO pin on the Pi, but also the larger project that is embedded in: using the Pi as a full featured 8-channel USB sound card called Camilla DSP.

For the first one: the old TOSLink standard is very simple, and all you need to do is blink an LED quickly enough. Considering the clock frequency of the Pi 5 is in the GHz range and the TOSLINK is the same 3.1 Mbit/s S/PDIF signal you could pull off your CD-ROM drive to your Sound Blaster, there’s no problem there. Except, wouldn’t the operating system get in the way? Well, not when you have enough clock cycles to throw at the problem. Using a Pi 5 doesn’t hurt: the RP1 I/O chip included on the board is keeping things smooth with its included PIO while Linux mucks about in the background. There’s a reason we called it the most important product Raspberry Pi ever made.

As for making a USB sound card from an SBC — well, we’re not sure why that got the “you can do that” reaction. The Raspberry Pi family had ‘gadget mode’ for over a decade now, allowing you to present the computer as a USB device, so why not a sound card? That’s a valid class of USB device.